Kurt Kren Movies
- 1981

39/81 Which Way to CA?
39/81 Which Way to CA?8.51981HD
Kren on his way from Vermont to California. Kren says that his various cars are the thread which runs through the story. (Hans Scheugl)
![39/81 Which Way to CA?]()
- 1969

22/69 Happy-End
22/69 Happy-End01969HD
Kurt Kren filmed pieces of feature films in the cinema without looking through the viewfinder. The missing sexual climax from the cinema was added by...
![22/69 Happy-End]()
- 1957

1/57: Experiment with Synthetic Sound (Test)
1/57: Experiment with Synthetic Sound (Test)4.71957HD
Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a...
![1/57: Experiment with Synthetic Sound (Test)]()
- 1957

Black Movie I
Black Movie I01957HD
Marc Adrian´s FILMBLOCK 0 paces out the foundations of a ritual of self-realization. With its matte surfaces (colorful leader) and easily...
![Black Movie I]()
- 1971

26/71: Cartoon - Balzac and the Eye of God
26/71: Cartoon - Balzac and the Eye of God5.51971HD
Zeichenfilm - Balzac oder das Auge Gottes is a play on the idea of trick film. And trick film it is. The 30-second work is shown twice in case the...
![26/71: Cartoon - Balzac and the Eye of God]()
- 1973

28/73: Time Exposure(s)
28/73: Time Exposure(s)2.71973HD
A man's head is seen in silent close-up using single-frame shooting and time exposure.
![28/73: Time Exposure(s)]()
- 1968

17/68: Green-red
17/68: Green-red31968HD
Kren filmed, in microscopic detail the reflection and refraction of the light in/on a glass bottle. However, the bottle itself (the whole body) is...
![17/68: Green-red]()
- 1981

40/81: Breakfast in Grey
40/81: Breakfast in Grey91981HD
Kren in New Hampshire, New England. Together with friends he lived from the demolition of wooden houses and sale of the wood. Kren was the "nail...
![40/81: Breakfast in Grey]()
- 1966

12/66: Cosinus Alpha
12/66: Cosinus Alpha4.71966HD
Kren’s last film to include any direct reference to Otto Muehl is 12/66: Cosinus Alpha, a 10-minute film that completes a cycle of elaborate...
![12/66: Cosinus Alpha]()
- 1990

46/90 Falter 2
46/90 Falter 201990HD
Kurt Kren short
![46/90 Falter 2]()
- 1969

Porträtfilm: Kurt Kren
Porträtfilm: Kurt Kren01969HD
![Porträtfilm: Kurt Kren]()
- 1960

2/60: 48 Heads from the Szondi-Test
2/60: 48 Heads from the Szondi-Test5.51960HD
Kren's second film and the first he cut according to a strictly serial, sequence technique: in various frame sizes, the 48 portraits from the Szondi...
![2/60: 48 Heads from the Szondi-Test]()
- 1956

Piano Salon 1. Floor
Piano Salon 1. Floor01956HD
A silent short film by Kurt Kren.
![Piano Salon 1. Floor]()
- 1994

48/94 Fragment W.E.
48/94 Fragment W.E.01994HD
A fragment: Impressions of the atelier of painter Wolfgang Ernst (who also worked as a composer or the films of Kren and Schmid). Unfinished due to...
![48/94 Fragment W.E.]()
- 1967

15/67: TV
15/67: TV4.61967HD
Kren frames the image to suggest a proscenium, with a view to the harbor that conveys a literal sense of “tele-vision”. The static...
![15/67: TV]()
- 1982

41/82 Getting Warm
41/82 Getting Warm8.51982HD
The third of the "bad home movies". Kren moved, along with his Thunderbird from New England in winter to the warmth of Texas. Part of the film was...
![41/82 Getting Warm]()
- 1973

30/73 Coop Cinema Amsterdam
30/73 Coop Cinema Amsterdam01973HD
Kren shows the cinema (mentioned in the title) during and after film presentations. He uses single-frame and time exposures 5 to 30 seconds long....
![30/73 Coop Cinema Amsterdam]()
- 1968

20/68: Honey
20/68: Honey3.51968HD
Kurt Kren films a photo which shows an SS officer standing on a town square which is littered with dead bodies.
![20/68: Honey]()
- 1976

34/76: Tschibo
34/76: Tschibo61976HD
This film shows, with the use of single-frames, Kren's diary-like notes from 1968 to 1976, especially his entries about the work on the three...
![34/76: Tschibo]()
- 1995

49/95: thousandyearsofcinema
49/95: thousandyearsofcinema51995HD
The making of pictures becomes the central issue in itself in that, with an analytical single-picture procedure, picture-taking tourists on Vienna's...
![49/95: thousandyearsofcinema]()















