Malcolm Le Grice Movies

Originally shot as part of Finnegan’s Chin, this sequence is re-edited as a portrait of performer Jack Murray. It continues the fascination of...

An impromptu portrait of Jonas Mekas shot at the Serpentine Gallery, London on the occasion of a celebration of his 90th birthday. All made in a...

The travelogue footage that appears here – the landscape rushing by, fragments of cityscapes, figures in cafes, forests, and beaches – is...

Yes – just looping images of pigs on three screens with a tape sound track of a Chinese pop song.

Rocky, granite outcrops, a derelict quarry-worker and Dartmoor prison.

A video work based on video8 and hi8 material shot over six years. Chronos is the Titian – the time god who rules the universe – the flux...

Le déjeuner sur l’herbe is simultaneously perceived from four different camera positions in a work which engages with the pro-filmic in...

A film made with found newsreel footage combined with sequences of a flashing light bulb. It is projected with a real flashing bulb hanging in front...

"My experience of Monet’s large-scale panoramic paintings of his water lily garden when I was about 14 years old became a crucial artistic...

From the earliest point when I started to make film one of the biggest influence on my way of thinking came from Franz Kafka. In particular the...

Blind White Duration is a film concerned with constructing an experience from limited perceptions. The viewer is introduced to a limited range of...

This multi-image work is based on Le Grice's longer, color-field film-loop installation Joseph’s Coat (1973).

A double projection of images of lapping water and the Battersea Power Station all transformed by negative positive superimposition creating a moving...

Loops. "A four screen film projection onto four vertically placed screens, which span the gallery space from floor to ceiling. The wall surface is...

Self Portrait looks for an approach to a specific relationship between the duration of a work and material conditions in the projection as did...

Directed by Malcolm Le Grice. "It nears the end of the political paranoid works using found military documentary images. It explores a complex form...

Double projection. No images, only colour, first changing slowly in spectrum order, yellow, or red, purple, blue, green, yellow.. and in other...

When I reviewed the video material it reminded me of a theatre performance which I recalled as “A Lecture to an Academy”, given by Tutte...

Emily - Third Party Speculation is the second of a ‘domestic trilogy’ exploring the relationship between the restricted camera viewpoint...

Dark Trees starts with a view from a window in silhouette through which one sees a garden, tall trees, rooftops and the sea. This scene orientates...