Alejo Moguillansky Movies

In 1969 Argentine filmmaker Hugo Santiago directed Invasión, his opera prima, written by Jorge Luis Borges and Adolfo Bioy Casares, and later...

At the end of the world, we follow the only two remaining creatures: One covered in grass and one covered in hair.

MONTAGE is a film record of the Montaje/Lachenmann recital presented by the Proa Foundation on November 8, 2013 in collaboration with the...

A miserable Argentine troupe of actors, dancers, musicians, filmmakers and a girl embark on a theatre tour to some country, probably in Latin America.

Nothing went as planned: what seemed to be an original idea (taking an international fashion event to a small town in the Argentine Pampas) ended up...

El Pampero records Chantal Akerman's visit to Argentina in 2005.

The grass men - That's my duck! - Silence, Dvorak! -Kill that fly - Eat grass - Walkie Talkies - Fly fishing - The fan episode - Tourists under the...

Loro, a sound recordist, meets Luciana, a dancer, and falls in love whit her. When she quits their ballet production and leaves, Loro looks for her...

The documentary registers with detail this first visit to Argentina. It's a meditation on the artistic and conceptual processes that Ai Weiwei needs...

This film, Diario de el Loro y el Cisne, is one of the results of this process of writing directly over the images and sounds. It is made entirely...

Several actresses get caught up in a web of romantic intrigue while performing in a production of Shakespeare's "Twelfth Night."

Alfonso is exhausted after working and goes to the beach. He goes into the water and starts this fantastic journey through his different vacations in...

Garbiñe Ortega, artistic director of Punto de Vista, devised the creation of a collective audiovisual project with the collaboration of the...

Film version of the work of Irish author Samuel Beckett. Carried out by the pianist Margarita Fernández, Alejo Moguillansky and Martín...

Sound Design for Cinema in Argentina, by famous Sound Designers

The theatre as a courtroom, the courtroom as a theatre. Alejo Moguillansky’s film draws loosely on Raúl Quirós Molina’s El...

Everyone is locked up, but Clementina and the man she's quarantined with won't stop working. We know little about him, and even less about her: we...

Argentina, the 70’s. One morning, several armed young men, dressed in military uniform, kidnap a Senior Army General and hide him in a modest...

In 2000 Alejo Moguillansky, Diego H. Flores and Fermín Villanueva filmed for three days aboard the ARA San Juan submarine. Twenty years later,...